P / P Excerpt: King Richard II with Commentary

Photo Credit: Prisoners of Eternity

“Richard II: The Boy who would be King”

[P / P Edit One] Editor’s Note: In my life, Shakespeare’s writing is essential when it comes to building, training and understand the root of writing the key element of a story. It is not about color, origin, race of creed, it is about learning how to be a great Western writer. It is also great to simply be spectator of Shakespeare’s plays and how they influenced the world. There is nothing wrong with that. But as I worked on manuscripts over the years, Shakespeare’s output and collection of writing has crept up and returned again and again, becoming a foundation when I begin to write in a voice and language that has a breadth, emotional width and situational range.

Should my and everyone’s work be inspired by Shakespeare? Of course not, anyone can pick and choose when they are ready to delve into the poet and playwright’s work and furthermore, choose what style they want to use when researching and reading to prepare to personally write long form.

Below is a passage from King Richard II. It jumped out at me and challenged me as I have been transcribing passages by hand from the play for the last couple of months. It was challenging because this passage is long and the book is pocket sized, so the type it very small. It took concentration to complete. This is the first time I have typed a transcription from Richard the II.

King Richard is one of Shakespeare’s tragedies.

King Richard II

Act V

[Scene V. Pomfret Castle.]

Enter Richard alone.

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Richard. I have been studying how I may compare

This prison where I live unto the world;

And for because the world is populous,

And here it is not a creature but myself,

I cannot do it. Yet I’ll hammer it out:

My brain I’ll prove the female to my soul,

My soul soul the father, and these two begat

A generation of still-breeding thoughts;

And these same thoughts people this little world,

In humors like the people of this world,

For no thought is contented. The better sort,

As thoughts of things divine are intermixed

With scruples, and do set the world itself

Against the word, as thus: “Come, little ones”; Continue reading

Publik / Private at Baltimore Book Festival 2017

Publik / Private will be hosting two panels at Baltimore Book Festival 2017

Black Existentialism Lends to Dystopian Afrofuturism
Friday, September 22, at 5:00pm
At the CityLit Stage

With so much emphasis on the Black body – police brutality, photographically dense explorations of the inner city, stories of reformed criminals, death and loss within plot lines of Empire inundating American culture, the exploration of Black consciousness, and the navigation of the Black perception of life has been nearly nonexistent in media.

Authors Jordannah Elizabeth, Jason Harris, and Olufunmike Woods (Olu Butterfly) will speak about Black consciousness and existentialism in writing and how it lends to dystopian stories and plot lines in Afrofuturism. The discussion will explore why Black consciousness, perception and relationship with the Western world should always be relevant in conversations in literature.

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Black Voices in Music Criticism Are Essential w/ Greg Tate
Sunday, September 24, at 4:45pm
At Red Emma’s Radical Book Fair Pavilion

The panel would consist of renowned authors and music critics/scholars, Greg Tate, Laina Dawes and Rashida Braggs, who will share their perspective on commentary on Black music criticism, how they were able to succeed and create space for themselves, Black music in mainstream and alternative white media and how their work navigates the segregation of Western Contemporary music history. Jordannah Elizabeth will serve as moderator.

“Many prominent Black music critics and editors tend to go nearly anonymous to their general readership. If you do choose to pursue this career path — which, to be very honest, is arduous and full of rejection — share your entire being with your readers: Use your image, your thoughts, and your craft to inspire and equip other Black writers and readers to embrace literary and cultural criticism. This will ensure that Black voices will be expected — not just yearned for — in white alternative and mainstream music media.” -jordannah elizabeth, Black Voices Are Essential In Music Criticism Continue reading